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Friday, December 17, 2010

Johnson's six blows England away

Mitchell Johnson revived his Test career and sparked Australia's Ashes hopes into life with a brutal six-wicket haul on the second day at the WACA as England subsided to 187 all out. Johnson claimed four during the morning session and returned to mop up the tail as the visitors lost all ten wickets for 109 following a solid opening partnership. He was well supported by Ryan Harris, who claimed three key victims, but this was the Johnson show.

His hours in the nets since being dropped have clearly worked and he also rode on the confidence of his batting effort to produce a wonderful spell of 9-3-20-4 which included a spell of three wickets in 12 balls to crash through England's previously formidable top order. Harris's performance was also important, as he removed the key scalps of Andrew Strauss and Ian Bell who had both made impressive half-centuries.

England made comfortable progress for most of the first hour to suggest further pain for Australia. However, Johnson's introduction changed the complexion as he settled into a tight line then rediscovered his swing, which makes him such a deadly prospect when he's on song. His scalping of Pietersen, Jonathan Trott, and Paul Collingwood were classic left-armer to right-hander dismissals as the batsmen were beaten by sharp movement.

Cook looked set to continue his prolific series before driving at a full delivery which shaped away, giving Mike Hussey a low catch in the gully. It was an area that the Australians haven't attacked enough to Cook and it brought rewards. Trott only lasted eight balls when Johnson beat a flat-footed drive with one that swung back into the right hander and would have taken off stump.

Pietersen's stay was even briefer as Johnson followed two off-stump deliveries with another inducker which struck the batsman in front of middle and leg. Pietersen asked for a review, but he never wore the expression of a man confident he would be saved and indeed the ball was striking flush on leg stump. Three wickets in 12 balls and the series was alive.

Collingwood is the one England top-order batsman not to fill his boots so far - he failed in Brisbane and hit 42 in Adelaide - and was nowhere near the delivery that snaked back and struck him on the front pad. Initially he wasn't given but, after some persuading from Johnson, Ricky Ponting ask for a review and it proved a perfect call with the ball hitting in line and taking off stump six inches from the top.

A team that had racked up 1240 runs for six wickets in their last two innings were looking shellshocked. Ryan Harris collected the other wicket to fall during the session and it was a major strike, too, with Strauss in fine form after being reprieved on 16 when Brad Haddin and Shane Watson left an edge to each other and it flew between them.

Strauss had been particularly strong through the leg side when the bowlers strayed but was undone by a good delivery from Harris that climbed and took the edge. No one in the England team, though, is playing better than Bell. He launched his innings with a perfect straight drive and showed outstanding composure to weather the Johnson storm until the lunch interval. His timing remained perfect whenever the bowlers strayed in a display that showed how much he has developed since four years ago in Australia.

At stages some of Australia's tactics were curious, especially when they persisted with the short ball but the plan did bring Matt Prior's wicket. The ball after being hit on the shoulder by Peter Siddle, a ball struck his body, bounced back onto the glove and down onto leg stump. It was Siddle's first wicket since the opening day in Brisbane when he took six.

Graeme Swann offered solid support to Bell in a useful stand of 36 and received plenty of short stuff which he handled reasonably well. However, Harris returned the attack, after treatment on a minor calf problem, and found the edge that Ben Hilfenhaus repeatedly missed. Left with the quick bowlers for company, Bell felt he had to attack and edge a booming drive which was superbly held by Ponting at second slip.

With the last specialist batsman gone the end came swiftly against Johnson. He speared one through Tremlett then completed a special performance when James Anderson, who certainly isn't a favourite amongst the home side, fenced to first slip. Australia now have a foothold in the series and a solid batting effort can set up victory.

Morkel and Steyn exact a carefully planned revenge

Dale Steyn and Morne Morkel must remember Kolkata 2010 the same way the United States remembers Vietnam. That's where they thought they had a chance to defeat an opposition that looked beatable, and that's where they misjudged badly. They were wounded from all fronts, their morale was broken and in the end, they lost the battle.

After their victory in Nagpur a week earlier, South Africa had an ideal opportunity to win the series in the subcontinent. That never happened. They collapsed to 296 on a turning track at Eden Gardens and conceded a massive 643/6 to lose by an innings and 57 runs. Dale Steyn bowled thirty overs and Morne Morkel 26, both conceding 115 runs apiece. Virender Sehwag, in particular, treated the pair as though they were nothing more than cheap rag dolls. Sachin Tendulkar and VVS Laxman followed, although in less manic fashion, and then MS Dhoni joined the party. Steyn and Morkel were left hurting. On Thursday, at SuperSport Park in Centurion, they exacted a carefully planned revenge.

"It's the most important thing not to forget your aggression," Morkel said after the first day when a mixture of that attacking instinct and ingenious strategy helped South Africa seize the advantage.

The match was being billed as a contest between South Africa's bowlers and India's batsmen, in particular the openers on both sides, and it did not disappoint. Steyn versus Sehwag was considered the heavyweight fight but it lasted just three balls. The first two were regulation Steyn balls, shaping away outside off and Sehwag dutifully left them. In his next over, Steyn began with a similar delivery, moving away just a touch. Sehwag could not resist.

He didn't care that Hashim Amla was positioned at short third-man for in case he gave in to the temptation. The urge to hit on the up was too tempting and Sehwag went for it. In doing so, he scooped it off the outside edge to Amla giving South Africa immediate reward, even though they were prepared to wait. "We knew we would have to stay calm and patient and that he would give it away," Morkel said.

The middleweight clash lasted a few more rounds. Morkel was unrelenting as he banged in short balls by the half-dozen to Gautam Gambhir, but mixed them up well. He topped 151 kph at times and sent the ball whizzing around Gambhir's ears in the first over. In the second over he bowled to Gambhir the real crux of the strategy emerged. Two short balls, followed up by a fuller one, and then another. When Morkel, elegant as a giraffe, reached down to save four off his own bowling from the second fuller ball, it was as though he was prophesising his own victory.

He almost had his man in the next over when a nasty bouncer took something on the way through to Mark Boucher. Umpire Steve Davis thought it shaved something other than the glove. Morkel did not relent and gave Gambhir no scoring opportunities as the pattern of short, short, full continued. Gambhir survived Morkel's first spell but just as he was relaxing, Morkel returned from the other end and continued the same trend. Two more short balls, and then Gambhir perished to the follow-up. He was too late on the full ball and the outside edge was comfortably taken by Paul Harris at first slip.

The way Steyn and Morkel varied their lengths was crucial to their success. "They weren't sure whether to go forward or back," Morkel said. Steyn used the seam movement in exemplary fashion, particularly as he got the ball to go away from Rahul Dravid and in to Gambhir. Morkel's height allowed him to extract the spongy bounce but he managed to mix the short balls with a range of deliveries that landed on a good length and ones that were full enough to tease the batsmen's toes. It was that assortment that got Dravid out as he was hit on the pads by a delivery that stayed lower than expected.

Steyn came out spitting venom after tea. The over he bowled to Tendulkar immediately after the break covered an entire spectrum. It contained a delivery that moved away, one that straightened, one that moved in, a bouncer and an over-pitched ball. In the next over, Steyn left Laxman aghast by getting right through him and pegging back his middle stump. He also got rid of Tendulkar, who was looking strong in the battle against Lonwabo Tsotsobe, with a ball that straightened.

South Africa's opening bowlers, who have been labelled the most fearsome in world cricket, out-thought the Indians with their follow-up balls. The straighter or fuller deliveries were proving to be the wicket-taking ones but they didn't forget that the ball India have always been vulnerable against on tour was the short one.

The pair has always been revered because of their styles complementing each other and Morkel said they aimed to exploit the variety to their advantage. "Myself and Dale are different bowlers. I'm six foot five but he is a bit shorter. I need to use my strength which is my bounce. I don't get a lot of swing and shape off the wicket, but Dale does."

While they were dismantling the Indian line-up, some luck also went their way. Suresh Raina, who was considered a target for short balls, ended up edging a length delivery from Jacques Kallis to third slip. After his dismissal a recovery seemed imminent. Even the South African bowlers expected it. "They have a quality top six or seven and we were lucky that Harbhajan was run out today," Morkel said. Harbhajan appeared confident before he was caught short of his crease by an underarm throw from Mark Boucher.

South Africa will be aware that is still plenty of movement left in the pitch, but an Indian attack without Zaheer Khan is a far less scary prospect than one with him. Morkel has some advice for his batsmen when they get they turn out tomorrow. "You need to leave well. It nips about but it's a touch slow." First, South Africa have one more wicket to claim but they must sense that the end is close with a debutant and a captain struggling for form at the crease. Then the revenge will be complete.

Bangla song "Chithi" by Arfin rumey

Tuesday, December 14, 2010

āϰিāϝ়াāϞ-āĻŦাāϰ্āϏাāϝ় āϏেāχ āϰোāύাāϞāĻĻো-āĻŽেāϏি

ā§Ž-ā§Ļ, ā§Ģ-ā§Ļ, ā§Š-ā§Ļ, ā§Ģ-ā§Ļ। ! āĻŽেāϏি, āĻ­িāϝ়া, āϜাāĻ­ি, āχāύিāϝ়েāϏ্āϤা—āĻŦাāϰ্āϏেāϞোāύাāϰ āĻāĻŽāύ āϜāϝ়েāϰ āϝাঁāϰা āĻ•াāϰিāĻ—āϰ, āϤাঁāĻĻেāϰ āύিāϝ়ে āϝিāύি āĻ•াāϜ āĻ•āϰāĻ›েāύ āϏেāχ āĻĒেāĻĒ āĻ—াāϰ্āĻĻিāĻ“āϞাāχ āϤো āĻŦিāϏ্āĻŽিāϤ āĻšāϚ্āĻ›েāύ, āϏাāϧাāϰāĻŖ āĻĻāϰ্āĻļāĻ• āφāϰ āĻ•ী āĻŦāϞāĻŦে!
āĻŦাāϰ্āϏেāϞোāύাāϰ āĻāχ āϚাāϰ āϜāϝ়েāϰ āϏāϰ্āĻŦāĻļেāώāϟি āĻāϞ āĻĒāϰāĻļু। āĻŦাāϰ্āϏেāϞোāύাāĻ•ে āĻšুঁāĻļিāϝ়াāϰ āĻ•āϰে āύ্āϝু āĻ•্āϝাāĻŽ্āĻĒে āĻāϏে āϰিāϝ়াāϞ āϏোāϏিāϝ়েāĻĻাāĻĻ āωāĻĄ়ে āĻ—েāϞ ā§Ģ-ā§Ļ āĻ—োāϞে। āĻāχ āϜāϝ়েāϰ āĻĒāϰ āĻŦাāϰ্āϏেāϞোāύা āĻ•োāϚ āĻ—াāϰ্āĻĻিāĻ“āϞাāχ āĻŦāϞেāĻ›েāύ, ‘āφāĻŽāϰা āĻ িāĻ• āϜাāύি āύা āĻāχ āĻĻāϞāϟা āĻ•ী āĻ•āϰāϤে āϚāϞেāĻ›ে! āĻāϟা āϏাāϧাāϰāĻŖāϤ āĻāĻ• āĻŦা āĻĻুāϟি āĻŽ্āϝাāϚে āϘāϟāϤে āĻĒাāϰে। āĻ•িāύ্āϤু āĻāĻ–āύ āĻāϟি āϘāϟāĻ›ে āϏāĻŦ āϏāĻŽāϝ়!’
āĻŦাāϰ্āϏেāϞোāύাāϰ āĻŽāϤো āĻ…āύ্āϝāϏ্āϤāϰেāϰ āĻĢুāϟāĻŦāϞ āĻ–েāϞāϤে āύা āĻĒাāϰāϞেāĻ“ āĻ­াāϞো āĻ–েāϞāĻ›ে āϰিāϝ়াāϞ āĻŽাāĻĻ্āϰিāĻĻāĻ“। āĻŦাāϰ্āϏেāϞোāύাāϰ āϏāĻ™্āĻ—ে āĻāϞ āĻ•্āϞাāϏিāĻ•োāϰ āĻĢāϞāϟা āĻŦাāĻĻ āĻĻিāϞে āĻ āĻŽৌāϏুāĻŽে āĻšোāϏে āĻŽāϰিāύāĻšোāϰ āĻĻāϞāĻ•েāĻ“ āĻĻুāϰ্āĻĻāĻŽāύীāϝ় āĻŦāϞāϤে āĻšāϝ়। āϏ্āĻĒ্āϝাāύিāĻļ āϞিāĻ—ে āĻŦাāϰ্āϏেāϞোāύাāϰ āĻĒ্āϰāϧাāύ āĻĒ্āϰāϤিāĻĻ্āĻŦāύ্āĻĻ্āĻŦীāϰা āĻĒāϰāĻļু āϰিāϝ়াāϞ āϜাāϰাāĻ—োāϜাāϰ āĻŽাāĻ  āĻĨেāĻ•ে āĻĢিāϰেāĻ›ে ā§Š-ā§§ āĻ—োāϞেāϰ āϜāϝ় āύিāϝ়ে।
āĻ…āύ্āϝ āϏ্āϤāϰেāϰ āĻ–েāϞোāϝ়াāĻĄ়āĻĻেāϰ āĻŽāϧ্āϝে āĻļ্āϰেāώ্āĻ  āĻŦāϞāϤে āĻšāĻŦে āϞিāĻ“āύেāϞ āĻŽেāϏিāĻ•েāχ। āĻ—āϤ āϚাāϰ āĻŽ্āϝাāϚে āĻŦাāϰ্āϏেāϞোāύা āĻ•āϰেāĻ›ে ⧍⧧ āĻ—োāϞ, āĻāϰ ā§­āϟিāχ āφāϰ্āϜেāύ্āϟাāχāύ āϤাāϰāĻ•াāϰ। āφāϞāĻŽেāϰিāϝ়াāϰ āĻŦিāĻĒāĻ•্āώে āĻš্āϝাāϟāϟ্āϰিāĻ• āĻ•āϰেāĻ›েāύ, āĻāϞ āĻ•্āϞাāϏিāĻ•োāϝ় āĻ—োāϞ āύা āĻĒেāϞেāĻ“ āĻĒāϰেāϰ āĻŽ্āϝাāϚেāχ āĻ“āϏাāϏুāύাāϰ āĻŦিāĻĒāĻ•্āώে āϜোāĻĄ়া āĻ—োāϞ āĻ•āϰে āĻĻāϞāĻ•ে āϜিāϤিāϝ়েāĻ›েāύ। āϏোāϏিāϝ়েāĻĻাāĻĻেāϰ āĻŦিāĻĒāĻ•্āώেāĻ“ āĻ—োāϞ ‘āĻšāϝ় āύা āĻšāϝ় āύা’ āĻ•āϰāϤে āĻ•āϰāϤেāĻ“ āĻĻুāϰ্āĻĻাāύ্āϤ āĻĻুāϟি āĻ—োāϞ āĻĒেāϝ়ে āĻ—েāϞেāύ।
āĻŦাāϰ্āϏাāϰ āĻŽেāϏি āφāϰ āϰিāϝ়াāϞেāϰ āĻ•্āϰিāϏ্āϟিāϝ়াāύো āϰোāύাāϞāĻĻো āĻ›ুāϟāĻ›েāύ āϏāĻŽাāύ্āϤāϰাāϞে। āĻĒāϰāĻļু āĻāĻ•āϟি āĻ—োāϞ āĻ•āϰেāĻ›েāύ āϰিāϝ়াāϞেāϰ āĻĒāϰ্āϤুāĻ—িāϜ āĻāχ āωāχāĻ™্āĻ—াāϰāĻ“। āϰিāϝ়াāϞ-āĻŦাāϰ্āϏাāϰ āĻļিāϰোāĻĒা āϞāĻĄ়াāχ āϝেāĻŽāύ āϜāĻŽে āωāĻ েāĻ›ে, āϤেāĻŽāύāχ āϜāĻŽāϜāĻŽাāϟ āĻŽেāϏি-āϰোāύাāϞāĻĻো āĻĻ্āĻŦৈāϰāĻĨāĻ“। āϏ্āĻĒ্āϝাāύিāĻļ āϞিāĻ—েāϰ āϏāϰ্āĻŦোāϚ্āϚ āĻ—োāϞāĻĻাāϤাāϰ āϤাāϞিāĻ•াāϝ় āĻĻুāϜāύāχ āĻāĻ–āύ āĻĒাāĻļাāĻĒাāĻļি। āϏāĻŽাāύ ā§§ā§­āϟি āĻ•āϰে āĻ—োāϞ āĻ•āϰেāĻ›েāύ āĻĻুāϜāύāχ।
āĻĻুāχ āĻĻāϞেāϰ āĻĻুāχ āĻ•োāϚāĻ“ āĻŽেāϤেāĻ›েāύ āϤাঁāĻĻেāϰ āϏেāϰা āĻ–েāϞোāϝ়াāĻĄ়েāϰ āĻŦāύ্āĻĻāύাāϝ়। āϰোāύাāϞāĻĻোāĻ•ে āύিāϝ়ে āϰিāϝ়াāϞ āĻ•োāϚ āĻŽāϰিāύāĻšো āĻŦāϞেāĻ›েāύ, ‘āĻ•্āϰিāϏ্āϟিāϝ়াāύো āϰোāύাāϞāĻĻো āĻāĻ•āϜāύ āĻĢেāύোāĻŽেāύāύ āĻ–েāϞোāϝ়াāĻĄ়। āϝে āĻŽাāĻ েāχ āϝাāϝ়, āĻ“ āϏেāχ āĻŽাāĻ āχ āĻŽাāϤিāϝ়ে āφāϏে।’
āϰোāύাāϞāĻĻো āϜাāϰাāĻ—োāϜাāϰ āĻŽাāĻ  āĻŽাāϤিāϝ়ে āĻāϏেāĻ›েāύ āĻ িāĻ•, āĻ•িāύ্āϤু āϰিāϝ়াāϞ āĻŦাāϰ্āϏেāϞোāύাāϰ āĻŽāϤো āĻĒ্āϰāϤিāĻĒāĻ•্āώāĻ•ে āĻ›িঁāĻĄ়েāĻ–ুঁāĻĄ়ে āĻļেāώ āĻ•āϰে āĻĻিāϤে āĻĒাāϰেāύি। āĻ…āύেāĻ•āϟা āĻļ্āϰāĻŽāϏাāϧ্āϝ āϜāϝ় āύিāϝ়েāχ āĻĢিāϰāϤে āĻšāϝ়েāĻ›ে āϤাāĻĻেāϰ। āϜাāϰ্āĻŽাāύিāϰ āĻŽেāϏুāϤ āĻ“āϜিāϞেāϰ ā§§ā§Ģ āĻŽিāύিāϟেāϰ āĻ—োāϞেāϰ āĻĒāϰ ā§Ēā§Ē āĻŽিāύিāϟে āĻĢ্āϰি-āĻ•িāĻ• āĻĨেāĻ•ে āĻŦ্āϝāĻŦāϧাāύ ⧍-ā§Ļ āĻ•āϰেāύ āϰোāύাāϞāĻĻো। āĻĻ্āĻŦিāϤীāϝ়াāϰ্āϧেāϰ āĻļুāϰুāϤেāχ āĻ—োāϞ āĻ•āϰেāĻ›েāύ āĻ…্āϝাāĻ™্āĻ—েāϞ āĻĄি āĻŽাāϰিāϝ়া। āĻĒেāύাāϞ্āϟি āĻĨেāĻ•ে āĻāĻ•āϟি āĻ—োāϞ āĻļোāϧ āĻ•āϰে āϜাāϰাāĻ—োāϜা।
āĻŦাāϰ্āϏাāĻ•ে āϤাāϤিāϝ়ে āĻĻিāϝ়ে āύ্āϝু āĻ•্āϝাāĻŽ্āĻĒে āύেāĻŽে āĻāχ āϰাāϤে ⧝ āĻŽিāύিāϟেāχ āĻĒ্āϰāĻĨāĻŽ āĻ—োāϞ āĻ–াāϝ় āϏোāϏিāϝ়েāĻĻাāĻĻ। āĻ—োāϞāϟি āĻ•āϰেāύ āĻ­িāϝ়া। ā§Šā§Š āĻŽিāύিāϟে āĻŦ্āϝāĻŦāϧাāύ āĻĻ্āĻŦিāĻ—ুāĻŖ āĻ•āϰেāύ āχāύিāϝ়েāϏ্āϤা। āĻĻ্āĻŦিāϤীāϝ়াāϰ্āϧেāϰ āĻ–েāϞা āĻŽিāύিāϟ āĻĻুāχ āύা āĻĒেāϰোāϤেāχ āĻ—োāϞ āĻ•āϰেāύ āĻŽেāϏি। āĻ–েāϞা āĻļেāώেāϰ āĻŽিāύিāϟ āϤিāύেāĻ• āφāĻ—ে āĻŽেāϏি āĻ•āϰেāύ āϤাঁāϰ āĻĻ্āĻŦিāϤীāϝ় āĻ—োāϞ। āφāϰ āĻŦāĻĻāϞি āĻŦোāϜাāύ āĻ•িāϰāĻ•িāϚ āĻļেāώ āĻŽুāĻšূāϰ্āϤে āĻ•āϰেāύ ā§Ģ-ā§Ļ।
āχংāϞিāĻļ āĻĒ্āϰিāĻŽিāϝ়াāϰ āϞিāĻ—ে āϚেāϞāϏি āφāϟāĻ•ে āĻ—েāĻ›ে āϟāϟেāύāĻšাāĻŽ āĻšāϟāϏ্āĻĒাāϰে। āϟāϟেāύāĻšাāĻŽেāϰ āĻŽাāĻ ে āĻĒাāĻ­āϞিāωāϚেāĻ™্āĻ•োāϰ āĻ—োāϞে āĻĒিāĻ›িāϝ়ে āĻĒāĻĄ়া āϚেāϞāϏিāϰ āϜāύ্āϝ āĻĄ্āϰ āĻ•āϰāϤে āĻĒাāϰাāϟাāχ āĻ›িāϞ āĻ…āύেāĻ•। ā§­ā§Ļ āĻŽিāύিāϟে āĻĻিāĻĻিāϝ়েāϰ āĻĻ্āϰāĻ—āĻŦা āĻ—োāϞ āĻĒেāϝ়ে āϝাāύ āϟāϟেāύāĻšাāĻŽ āĻ—োāϞāϰāĻ•্āώāĻ• āĻ—োāĻŽেāϜেāϰ āĻ­ুāϞে। āĻļāϟ āĻĢিāϏ্āϟ āĻ•āϰāϤে āĻ—িāϝ়েāĻ“ āĻŦ্āϝāϰ্āĻĨ āĻšāϝ়েāĻ›েāύ। āĻāϰāĻĒāϰ āĻāχ āĻ—োāĻŽেāϜāχ āĻšāϝ়েāĻ›েāύ āύাāϝ়āĻ• āφāϰ āĻĻ্āϰāĻ—āĻŦা āĻšāϝ়ে āϝাāύ āϚেāϞāϏিāϰ āĻ–āϞāύাāϝ়āĻ•। āĻĻ্āϰāĻ—āĻŦাāϰ āĻĒেāύাāϞ্āϟি āĻ েāĻ•িāϝ়ে āϏ্āĻĒাāϰāĻĻেāϰ āĻĄ্āϰ āĻāύে āĻĻিāϝ়েāĻ›েāύ āĻ—োāĻŽেāϜ।
āϚেāϞāϏি āĻ•োāϚ āĻ•াāϰ্āϞো āφāύāϚেāϞāϤ্āϤি āĻ…āĻŦāĻļ্āϝ āĻĻ্āϰāĻ—āĻŦাāϰ āĻ“āĻĒāϰ āϚাāĻĒ āϏৃāώ্āϟি āĻ•āϰāϤে ।

āĻ—āĻ­ীāϰ āĻļ্āϰāĻĻ্āϧাāϝ় āĻĒাāϞিāϤ āĻšāϚ্āĻ›ে āĻļāĻšীāĻĻ āĻŦুāĻĻ্āϧিāϜীāĻŦী āĻĻিāĻŦāϏ

āĻĒ্āϰāϤিāĻŦāĻ›āϰেāϰ āĻŽāϤো āĻāĻŦাāϰāĻ“ āĻļāĻšীāĻĻ āĻŦুāĻĻ্āϧিāϜীāĻŦীāĻĻেāϰ āĻĒ্āϰāϤি āĻ—āĻ­ীāϰ āĻļ্āϰāĻĻ্āϧা āύিāĻŦেāĻĻāύেāϰ āĻŽাāϧ্āϝāĻŽে āϜাāϤি āĻĒাāϞāύ āĻ•āϰāĻ›ে āĻļāĻšীāĻĻ āĻŦুāĻĻ্āϧিāϜীāĻŦী āĻĻিāĻŦāϏ। āĻļāĻšীāĻĻāĻĻেāϰ āĻĒ্āϰāϤি āĻļ্āϰāĻĻ্āϧা āϜাāύাāϤে āĻļীāϤেāϰ āϏāĻ•াāϞে āϰাāϜāϧাāύীāϰ āĻāĻŦং āϰাāϝ়েāϰāĻŦাāϜাāϰ āĻŦāϧ্āϝāĻ­ূāĻŽিāϤে āĻ­িāĻĄ় āĻ•āϰāϤে āĻļুāϰু āĻ•āϰে āύাāύা āĻļ্āϰেāĻŖী-āĻĒেāĻļাāϰ āϞোāĻ•āϜāύ।
āĻŽিāϰāĻĒুāϰ āĻļāĻšীāĻĻ āĻŦুāĻĻ্āϧিāϜীāĻŦী āϏ্āĻŽৃāϤিāϏৌāϧে āϏāĻ•াāϞ āφāϟāϟাāϰ āĻĻিāĻ•ে āϰাāώ্āϟ্āϰāĻĒāϤি āϜিāϞ্āϞুāϰ āϰāĻšāĻŽাāύ āĻ“ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āĻĒুāώ্āĻĒāϏ্āϤāĻŦāĻ• āĻ…āϰ্āĻĒāĻŖেāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻļāĻšীāĻĻāĻĻেāϰ āĻĒ্āϰāϤি āĻļ্āϰāĻĻ্āϧা āϜাāύাāύ। āĻ āϏāĻŽāϝ় āĻŦিāωāĻ—āϞেāϰ āĻ•āϰুāĻŖ āϏুāϰ āĻŦাāϜাāύো āĻšāϝ়। āϤাঁāĻĻেāϰ āϏāĻ™্āĻ—ে āϏেāĻ–াāύে āĻŽāύ্āϤ্āϰিāĻĒāϰিāώāĻĻ āϏāĻĻāϏ্āϝ, āϏাংāϏāĻĻ āĻ“ āĻĻāϞেāϰ āϜ্āϝেāώ্āĻ  āύেāϤাāϰা āωāĻĒāϏ্āĻĨিāϤ āĻ›িāϞেāύ। āϰাāώ্āϟ্āϰāĻĒāϤি āĻ“ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻ āϏāĻŽāϝ় āĻāĻ• āĻŽিāύিāϟি āύীāϰāĻŦāϤা āĻĒাāϞāύ āĻ•āϰেāύ।
āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻ“ āϰাāώ্āϟ্āϰāĻĒāϤি āĻļ্āϰāĻĻ্āϧা āύিāĻŦেāĻĻāύ āĻļেāώে āĻŦেāϰ āĻšāϝ়ে āϝাāĻ“āϝ়াāϰ āĻĒāϰāĻĒāϰāχ āĻļ্āϰāĻĻ্āϧা āϜাāύাāϤে āĻļুāϰু āĻ•āϰে āĻŦিāĻ­িāύ্āύ āϰাāϜāύৈāϤিāĻ•, āϏাāĻŽাāϜিāĻ• āĻ“ āϏাংāϏ্āĻ•ৃāϤিāĻ• āϏংāĻ—āĻ āύ। āĻļāĻšীāĻĻ āĻĒāϰিāĻŦাāϰেāϰ āϏāĻĻāϏ্āϝāϰা āĻļ্āϰāĻĻ্āϧা āϜাāύাāϚ্āĻ›েāύ āĻšাāϰাāύো āϏ্āĻŦāϜāύāĻĻেāϰ āĻĒ্āϰāϤি।
āĻāĻĻিāĻ•ে āϰাāϝ়েāϰāĻŦাāϜাāϰ āĻŦāϧ্āϝāĻ­ূāĻŽিāϤেāĻ“ āĻļāĻšীāĻĻāĻĻেāϰ āĻĒ্āϰāϤি āĻļ্āϰāĻĻ্āϧা āϜাāύাāϚ্āĻ›ে āϏāϰ্āĻŦāϏ্āϤāϰেāϰ āϞোāĻ•āϜāύ।
āφāĻ“āϝ়াāĻŽী āϞীāĻ—, āĻŦিāĻāύāĻĒিāϏāĻš āĻ…āύ্āϝাāύ্āϝ āϰাāϜāύৈāϤিāĻ• āĻĻāϞ āĻāĻŦং āϏাāĻŽাāϜিāĻ• āĻ“ āϏাংāϏ্āĻ•ৃāϤিāĻ• āϏংāĻ—āĻ āύ āĻŦিāĻ­িāύ্āύ āĻ•āϰ্āĻŽāϏূāϚিāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻĻিāĻŦāϏāϟি āĻĒাāϞāύ āĻ•āϰāĻ›ে। āφāĻ“āϝ়াāĻŽী āϞীāĻ— āĻŦেāϞা āϤিāύāϟাāϝ় āĻŦāĻ™্āĻ—āĻŦāύ্āϧু āφāύ্āϤāϰ্āϜাāϤিāĻ• āϏāĻŽ্āĻŽেāϞāύ āĻ•েāύ্āĻĻ্āϰে āφāϞোāϚāύা āϏāĻ­াāϰ āφāϝ়োāϜāύ āĻ•āϰেāĻ›ে।

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